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Hen's Bread Productions

Post-Production & Video Editing Austin, TX | Hen's Bread Productions
Post-Production · Austin, TX

Your story is shot.
Now let's make it unforgettable.

Great footage is just the beginning. Post-production is where your video goes from raw to remarkable. Color grading that sets the mood, sound that pulls people in, and edits that keep them watching — all done in-house by our team in Austin with a fast, transparent turnaround.

We edited the footage. We know your project. No onboarding. No hand-holding. No delays.

$500 Per finished minute
In- House editing team
Fast Same-week turnaround
4K ProRes delivery ready
Post-Production Pipeline
01 · Rough Cut We review all footage, select the best takes, and assemble a story-driven timeline. Day 1–2
02 · Color Grade Scene-by-scene color correction and creative grade to match your brand tone. Day 2–3
03 · Audio Mix Dialogue cleanup, music balance, sound design, and broadcast-level loudness mastering. Day 3–4
04 · Motion Graphics Lower thirds, title cards, logo animations, and branded graphics if needed. Optional
05 · Review & Revisions Client review link via Vimeo. Notes addressed same business day on most requests. Day 4–5
06 · Final Delivery H.264, ProRes, or broadcast specs. Web, social, and broadcast-ready export formats. Day 5–7
This service is for Hen's Bread Productions clients first.

Our post-production service is designed primarily for clients whose projects we filmed. Because we were on set, we already know the footage, the story, and the goal — which means a tighter edit, faster turnaround, and a better result.

We don't encourage sending us raw footage from shoots we didn't film. If you're looking for a general video editing service for existing footage, there are excellent options for that — platforms like Fiverr connect you with freelance editors at a range of budgets and specialties. We're happy to point you in the right direction if needed.

Additionally, the standard $500/finished minute rate applies when post-production is agreed upon before your project begins. Adding post-production after the fact — when our schedule has already been set — is a premium service billed closer to $650 per finished minute, based on the demand and timing of the request.

Multi-Camera Editing We cut between multiple camera angles seamlessly, matching the energy of your event and keeping viewers engaged from start to finish. Core Service
Color Grading & Correction Scene-matching, exposure correction, and creative color grades that give your video a consistent, cinematic look across every shot. Core Service
Audio Post-Production Dialogue cleanup, noise reduction, music licensing or custom score, and broadcast-level LUFS mastering for YouTube, broadcast, and social. Core Service
Motion Graphics & Titles Lower thirds, speaker IDs, title cards, logo animations, and branded graphics that reinforce your identity throughout the video. Add-On Available
Subtitles & Captions Accurate, burned-in or separate SRT caption files for accessibility and social media autoplay. Includes speaker identification for panel content. Included at no charge. Included — Free
Social Media Cuts Vertical 9:16 reels, square cuts, highlight reels, and short-form clips optimized for Instagram, LinkedIn, YouTube Shorts, and TikTok. Add-On · $350
Footage Color Grading Only Don't need a full edit? We can color grade all of your raw footage so any editor — yours or ours — can work with consistent, matched skin tones, corrected exposure, and a unified look across every clip. Delivered on a hard drive with both raw and colored files included. Add-On · $550 Includes Hard Drive
Simple pricing.
No surprises.

We charge $500 per finished minute of video — that's it. No hourly guessing, no scope creep billing, no hidden fees for revisions on scope. You know what you're getting before we start, and the invoice matches the deliverable.

If you shot with us, we already know your footage, your project, and your goals. Post-production on your shoot with us is faster, tighter, and more cohesive than starting fresh anywhere else.

$500 / finished minute
Multi-camera editing & assembly
Color grading & correction
Audio cleanup & music balance
Broadcast-level LUFS mastering
Vimeo review link for feedback
H.264 + ProRes delivery formats

Minimum 2 finished minutes. Revisions within the original scope included. Additional rounds billed at $150/hr.

Current turnaround: Approximately 20 business days for a 3-minute finished video. Rush delivery available for $350 when schedule permits — confirm availability at booking.

Important: The $500/finished minute rate applies when post-production is agreed upon before the project begins. When post-production is added after the shoot has already taken place, it becomes a premium service — our schedule and workload have already been planned around the original scope. In those cases, pricing is based on demand and availability, and typically runs closer to $650 per finished minute.

Motion Graphics Lower thirds, title cards, logo animation — billed per 3 seconds
$30 / 3 sec
Captions / SRT File Accurate captions, burned-in or separate — included at no charge
Free
Social Media Cuts Vertical reels, square cuts, highlight clip optimized per platform
+ $350
Expedited Editing 48-hour turnaround when available
+ $350
Project Files on Hard Drive Physical drive mailed to you — includes drive cost + postage
~ $350
Footage Color Grading Only We color grade all raw footage so any editor can work with consistent, matched skin tones and exposure — no full edit required. Includes raw + colored files shipped on a hard drive.
$550
Rate is locked in when agreed before filming

The $500/min rate is reserved for clients who include post-production in the original project agreement. If you decide you'd like us to edit your footage after the shoot is complete, that's a premium service starting closer to $650 per finished minute — our schedule is built around pre-planned workloads, and late additions require us to restructure our time management around your request.

We know your footage Our editor was on set — or worked directly from our production team's logs. No re-watching hours of footage trying to understand what happened. We start from context, not confusion.
Changes happen fast Revisions aren't routed through a ticketing system. You leave notes on the Vimeo review link, we address them the same business day on most requests. No waiting in a queue.
One team, start to finish The same team that planned and shot your video edits it. Creative continuity isn't something we hope for — it's structural. Your vision doesn't get lost in handoffs.
Transparent pricing, always $500 per finished minute. You know the cost before we start. No surprise invoices, no scope creep charges for normal revision rounds, no hidden fees.
Post-production done by the people who
shot your video.

Most production companies outsource editing to a third-party editor or remote freelancer who has never seen your venue, never met your client, and has to rebuild context from scratch by watching hours of raw footage.

We don't do that. Our post-production is handled in-house by our Austin-based team. Brian Gomez, our remote colorist and sound engineer, works directly with the production team on every project. The result is a tighter edit, a faster turnaround, and a final product that actually reflects your vision.

"Changes are done quickly because we're not waiting on someone who has never seen the project before." — Jacob Perkins, Owner · Hen's Bread Productions
Everything is on timecode
Every shoot we produce is recorded to timecode — a synchronized timestamp embedded into every camera and audio source from the moment we roll. This means our audio and video are always in perfect sync, down to the frame, across every angle and every microphone.

When your footage arrives in the edit, we're not hunting through hours of raw files trying to manually sync audio to picture. The day is already organized before we even open the timeline. Timecode gives us a clear view of everything that happened — in order, in sync, ready to cut.
Built for any editor to pick up
If you choose to have your own editor or in-house team work on the footage after we film — that's completely fine. Because everything we shoot is organized to timecode and logged consistently, any professional editor can open our project files and get straight to editing. No re-syncing. No guesswork. The organization does the work before the edit even begins.
Why a team beats a cheaper solo editor Editing is a skill.
Coloring and sound are different skills entirely.

Not every video editor is a colorist. Not every colorist can mix broadcast audio. These are highly specialized disciplines — rare to find combined in a single person, and almost impossible to find at budget rates without sacrificing one for the other.

It's the same reason not every photographer is a graphic designer, and not every graphic designer knows how to use a camera. Different crafts. Different years of practice. Different results.

Our post-production requires a team because making something great requires people who are genuinely excellent at their specific role — not one person stretching thin across three disciplines they half-know.

Editor — story structure, pacing, multi-camera assembly
Colorist (Brian Gomez) — scene-matched, cinematic color grade
Sound engineer (Brian Gomez) — broadcast-level audio mastering
01 Ingest & Sync Production team Timecode
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02 Rough Cut Editor Day 1–2
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03 Color Grade Brian Gomez Day 2–3
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04 Audio Mix Brian Gomez Day 3–4
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05 Review You + team Day 4–5
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06 Delivery Production team ~20 days
Team: Editor — assembly, pacing, story Brian Gomez — colorist & sound engineer Jacob Perkins — producer & review

Timecode runs through every stage — all cameras and audio stay frame-perfect from ingest to delivery. If you bring in a different editor after we film, they can open our project files and get straight to cutting. No re-sync. No guesswork.

01 Book a free call Tell us about your footage, your goals, and your deadline. 20 minutes is all we need to scope the project and give you an exact quote.
02 Transfer your footage Send us your raw files via Fram