Great footage is just the beginning. Post-production is where your video goes from raw to remarkable. Color grading that sets the mood, sound that pulls people in, and edits that keep them watching — all done in-house by our team in Austin with a fast, transparent turnaround.
We edited the footage. We know your project. No onboarding. No hand-holding. No delays.
Our post-production service is designed primarily for clients whose projects we filmed. Because we were on set, we already know the footage, the story, and the goal — which means a tighter edit, faster turnaround, and a better result.
We don't encourage sending us raw footage from shoots we didn't film. If you're looking for a general video editing service for existing footage, there are excellent options for that — platforms like Fiverr connect you with freelance editors at a range of budgets and specialties. We're happy to point you in the right direction if needed.
Additionally, the standard $500/finished minute rate applies when post-production is agreed upon before your project begins. Adding post-production after the fact — when our schedule has already been set — is a premium service billed closer to $650 per finished minute, based on the demand and timing of the request.
We charge $500 per finished minute of video — that's it. No hourly guessing, no scope creep billing, no hidden fees for revisions on scope. You know what you're getting before we start, and the invoice matches the deliverable.
If you shot with us, we already know your footage, your project, and your goals. Post-production on your shoot with us is faster, tighter, and more cohesive than starting fresh anywhere else.
Minimum 2 finished minutes. Revisions within the original scope included. Additional rounds billed at $150/hr.
Current turnaround: Approximately 20 business days for a 3-minute finished video. Rush delivery available for $350 when schedule permits — confirm availability at booking.
Important: The $500/finished minute rate applies when post-production is agreed upon before the project begins. When post-production is added after the shoot has already taken place, it becomes a premium service — our schedule and workload have already been planned around the original scope. In those cases, pricing is based on demand and availability, and typically runs closer to $650 per finished minute.
The $500/min rate is reserved for clients who include post-production in the original project agreement. If you decide you'd like us to edit your footage after the shoot is complete, that's a premium service starting closer to $650 per finished minute — our schedule is built around pre-planned workloads, and late additions require us to restructure our time management around your request.
Most production companies outsource editing to a third-party editor or remote freelancer who has never seen your venue, never met your client, and has to rebuild context from scratch by watching hours of raw footage.
We don't do that. Our post-production is handled in-house by our Austin-based team. Brian Gomez, our remote colorist and sound engineer, works directly with the production team on every project. The result is a tighter edit, a faster turnaround, and a final product that actually reflects your vision.
Not every video editor is a colorist. Not every colorist can mix broadcast audio. These are highly specialized disciplines — rare to find combined in a single person, and almost impossible to find at budget rates without sacrificing one for the other.
It's the same reason not every photographer is a graphic designer, and not every graphic designer knows how to use a camera. Different crafts. Different years of practice. Different results.
Our post-production requires a team because making something great requires people who are genuinely excellent at their specific role — not one person stretching thin across three disciplines they half-know.
Timecode runs through every stage — all cameras and audio stay frame-perfect from ingest to delivery. If you bring in a different editor after we film, they can open our project files and get straight to cutting. No re-sync. No guesswork.